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Le premier film se passe dans le futur sur Le vaisseau commercial Nostromo et son équipage, sept hommes et femmes, rentrent sur Terre avec une importante cargaison de minerai. Mais lors d'un arrêt forcé sur une planète déserte, l'officier Kane se fait agresser par une forme de vie inconnue, une arachnide qui étouffe son visage. Après que le docteur de bord lui retire le spécimen, l'équipage retrouve le sourire et dîne ensemble. Jusqu'à ce que Kane, pris de convulsions, voit son abdomen perforé par un corps étranger vivant, qui s'échappe dans les couloirs du vaisseau...
Le second film Après 57 ans de dérive dans l'espace, Ellen Ripley est secourue par la corporation Weyland-Yutani. Malgré son rapport concernant l’incident survenu sur le Nostromo, elle n’est pas prise au sérieux par les militaires quant à la présence de xénomorphes sur la planète LV-426 où se posa son équipage… planète où plusieurs familles de colons ont été envoyés en mission de "terraformage". Après la disparition de ces derniers, Ripley décide d'accompagner une escouade de marines dans leur mission de sauvetage... et d’affronter à nouveau la Bête.
Le 3e film suit toujours Ripley, Seule survivante du carnage sur LV-426 qui s'échoue sur Fiorina 161, planète oubliée de l'univers, balayée par des vents puissants. Une communauté d'une vingtaine d'hommes y vit. Violeurs, assassins, infanticides, ce sont les plus dangereux détenus de droits communs de l'univers. L'arrivée de Ripley va les confronter à un danger qui sera plus fort qu'eux.
Le 4e film se situe Deux cents ans après la mort de l'officier Ripley, une équipe de généticiens ressuscite la jeune femme en croisant son ADN avec celui d'un Alien. Le cauchemar reprend. A bord de la station Auriga, Ripley donne naissance à un fils qui lui est aussitot enlevé. Prisonnière, elle s'efforce de renouer avec son lointain passé humain. Bientôt un autre vaisseau rejoint l'Auriga. Parmi l'équipage composé de brutes et de mercenaires, Ripley decouvre une belle jeune femme, Call, avec laquelle elle ne tarde pas a se lier d'amitié.
Pour les suppléments, il y a :
DISC ONE: ALIEN
- 1979 Theatrical Version
- 2003 Director’s Cut with Ridley Scott Introduction
- Audio Commentary by Director Ridley Scott, Writer Dan O’Bannon, Executive Producer Ronald Shusett, Editor Terry Rawlings, Actors Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton and John Hurt
- Audio Commentary (for Theatrical Cut only) by Ridley Scott
- Final Theatrical Isolated Score by Jerry Goldsmith
- Composer’s Original Isolated Score by Jerry Goldsmith
- Deleted and Extended Scenes
- MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
DISC TWO: ALIENS
- 1986 Theatrical Version
- 1991 Special Edition with James Cameron Introduction
- Audio Commentary by Director James Cameron, Producer Gale Anne Hurd, Alien Effects Creator Stan Winston, Visual Effects Supervisors Robert Skotak and Dennis Skotak, Miniature Effects Supervisor Pat McClung, Actors Michael Biehn, Bill Paxton, Lance Henriksen, Jenette Goldstein, Carrie Henn and Christopher Henn
- Final Theatrical Isolated Score by James Horner
- Composer’s Original Isolated Score by James Horner
- Deleted and Extended Scenes
- MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
DISC THREE: ALIEN3
- 1992 Theatrical Version
- 2003 Special Edition (Restored Workprint Version)
- Audio Commentary by Cinematographer Alex Thomson, B.S.C., Editor Terry Rawlings, Alien Effects Designers Alec Gillis and Tom Woodruff, Jr., Visual Effects Producer Richard Edlund, A.S.C., Actors Paul McGann and Lance Henriksen
- Final Theatrical Isolated Score by Elliot Goldenthal
- Deleted and Extended Scenes
- MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
DISC FOUR: ALIEN RESURRECTION
- 1997 Theatrical Version
- 2003 Special Edition with Jean-Pierre Jeunet Introduction
- Audio Commentary by Director Jean-Pierre Jeunet, Editor Hervé Schneid, A.C.E., Alien Effects Creators Alec Gillis and Tom Woodruff, Jr., Visual Effects Supervisor Pitof, Conceptual Artist Sylvain Despretz, Actors Ron Perlman, Dominique Pinon and Leland Orser
- Final Theatrical Isolated Score by John Frizzell
- Deleted and Extended Scenes
- MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
DISC FIVE: MAKING THE ANTHOLOGY
In addition to over 12 hours of candid, in-depth documentaries, you now have the ability to go even deeper into Alien Anthology history with nearly five hours of additional video Enhancement Pods created exclusively for this collection, presenting behind-the-scenes footage, raw dailies and interview outtakes from all four films. At topical points in the documentaries, you may access these pods to enhance your experience, or watch them on their own from the separate Enhancement Pod index.
The Beast Within: Making ALIEN
- Star Beast: Developing the Story
- The Visualists: Direction and Design
- Truckers in Space: Casting
- Fear of the Unknown: Shepperton Studios, 1978
- The Darkest Reaches: Nostromo and Alien Planet
- The Eighth Passenger: Creature Design
- Future Tense: Editing and Music
- Outward Bound: Visual Effects
- A Nightmare Fulfilled: Reaction to the Film
- Enhancement Pods
- Superior Firepower: Making ALIENS
- 57 Years Later: Continuing the Story
- Building Better Worlds: From Concept to Construction
- Preparing for Battle: Casting and Characterization
- This Time It’s War: Pinewood Studios, 1985
- The Risk Always Lives: Weapons and Action
- Bug Hunt: Creature Design
- Beauty and the Bitch: Power Loader vs. Queen Alien
- Two Orphans: Sigourney Weaver and Carrie Henn
- The Final Countdown: Music, Editing and Sound
- The Power of Real Tech: Visual Effects
- Aliens Unleashed: Reaction to the Film
- Enhancement Pods
- Wreckage and Rage: Making ALIEN3
- Development Hell: Concluding the Story
- Tales of the Wooden Planet: Vincent Ward’s Vision
- Stasis Interrupted: David Fincher’s Vision
- Xeno-Erotic: H.R. Giger’s Redesign
- The Color of Blood: Pinewood Studios, 1991
- Adaptive Organism: Creature Design
- The Downward Spiral: Creative Differences
- Where the Sun Burns Cold: Fox Studios, L.A. 1992
- Optical Fury: Visual Effects
- Requiem for a Scream: Music, Editing and Sound
- Post-Mortem: Reaction to the Film
- Enhancement Pods
- One Step Beyond: Making ALIEN RESURRECTION
- From the Ashes: Reviving the Story
- French Twist: Direction and Design
- Under the Skin: Casting and Characterization
- Death from Below: Fox Studios, Los Angeles, 1996
- In the Zone: The Basketball Scene
- Unnatural Mutation: Creature Design
- Genetic Composition: Music
- Virtual Aliens: Computer Generated Imagery
- A Matter of Scale: Miniature Photography
- Critical Juncture: Reaction to the Film
- Enhancement Pods
- MU-TH-UR Mode Interactive Experience to Access and Control Enhancement Pods
DISC SIX: THE ANTHOLOGY ARCHIVES
ALIEN
- Pre-Production
- First Draft Screenplay by Dan O’Bannon
- Ridleygrams: Original Thumbnails and Notes
- Storyboard Archive
- The Art of Alien: Conceptual Art Portfolio
- Sigourney Weaver Screen Tests with Select Director Commentary
- Cast Portrait Gallery
- Production
- The Chestbuster: Multi-Angle Sequence with Commentary
- Video Graphics Gallery
- Production Image Galleries
- Continuity Polaroids
- The Sets of Alien
- H.R. Giger’s Workshop Gallery
- Post-Production and Aftermath
- Additional Deleted Scenes
- Image & Poster Galleries
- Experience in Terror
- Special Collector’s Edition LaserDisc Archive
- The Alien Legacy
- American Cinematheque: Ridley Scott Q&A
- Trailers & TV Spots
ALIENS
- Pre-Production
- Original Treatment by James Cameron
- Pre-Visualizations: Multi-Angle Videomatics with Commentary
- Storyboard Archive
- The Art of Aliens: Image Galleries
- Cast Portrait Gallery
- Production
- Production Image Galleries
- Continuity Polaroids
- Weapons and Vehicles
- Stan Winston’s Workshop
- Colonial Marine Helmet Cameras
- Video Graphics Gallery
- Weyland-Yutani Inquest: Nostromo Dossiers
- Post-Production and Aftermath
- Deleted Scene: Burke Cocooned
- Deleted Scene Montage
- Image Galleries
- Special Collector’s Edition LaserDisc Archive
- Main Title Exploration
- Aliens: Ride at the Speed of Fright
- Trailers & TV Spots
ALIEN3
- Pre-Production
- Storyboard Archive
- The Art of Arceon
- The Art of Fiorina
- Production
- Furnace Construction: Time-Lapse Sequence
- EEV Bioscan: Multi-Angle Vignette with Commentary
- Production Image Galleries
- A.D.I.’s Workshop
- Post-Production and Aftermath
- Visual Effects Gallery
- Special Shoot: Promotional Photo Archive
- Alien3 Advance Featurette
- The Making of Alien3 Promotional Featurette
- Trailers & TV Spots
ALIEN RESURRECTION
- Pre-Production
- First Draft Screenplay by Joss Whedon
- Test Footage: A.D.I. Creature Shop with Commentary
- Test Footage: Costumes, Hair and Makeup
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